#metrodetroitmaker Goals for 2018

Good morning girl bosses!

I love this time of year! My slow time of the year corresponds with the New Year, which makes it the perfect time for setting goals, building up inventory, and plotting out how I want the year to go (which also means planning the shows I want to do).

Yes, I said, “setting goals” not “making resolutions.” The thing I don’t like about resolutions is that they often become more like wishes rather than achievable goals. I have no idea what my New Year’s resolution was last year. I probably didn’t make one. But I also didn’t have a focus for the year like I have for this year. Wanna hear what it is?

Mortgage.

Let me back up a little. This post will eventually get around to my business goals for the year, but first I want to give you a little background on what’s going on with us and our personal goals for our lives (it’ll all make sense eventually).

When I started this business, it was to help with our debt snowball. For more on that, hop on over to Dave Ramsey’s website. His stuff is gold if you’re really ready to buckle down and tackle your finances like an adult. If you’re not into delaying gratification, driving an old car, and pretty much never eating out while you’re working his plan, you’ll probably want to stay away.

We’ve been out of debt for about two years now, and our next step has been to tackle our mortgage, but we haven’t been pounding on it like we should be. The reason is partially because I stopped paying us out what I had been so that I could build up the business a bit more—you know, investing in a better camera, a design for the shop, fancy business cards, lots of shows, etc. etc. For a little while, I was toying with the idea of really bulking up my business savings so that I could invest in renting a retail space of my own.

Fast forward to last month, when Dan and I were thinking about and planning for 2018 and doing our budget for the year (yes, the whole year. I’m a huge nerd. I can’t live without that kind of structure).

I had already decided that I wanted to pick a word for the year, and I told Dan about the idea. Looking at our budget at the priorities that we had, it was pretty easy to decide on our word.

We have an aggressive goal of paying down 33% of our mortgage by the end of this year. I say it’s aggressive because the income from my teaching job plus the set amount from Dan’s income that we’ve decided to dedicate to the mortgage will only cover about 18% as it sits right now, which means my business has to contribute an additional 15%. That’s a lot, but I know that I can do it if I stay on pace with what my business produced last year (here’s hoping that I can surpass it and contribute even more).

So how does that affect my goals for 2018?

So glad you asked.

I want to start with my goals for this quarter, which I hope to transition into each quarter (with some tweaks) as the year goes on.

Goal #1: No spend January.

That’s right. I have vowed not to darken the doors of JoAnn’s, Hobby Lobby, or my cluster of beloved thrift stores this month. AT ALL.

I’ll give you a minute to recover.

I’ll admit, this is hard for me. I get a lot of inspiration and creative energy from these places, not to mention materials for my pieces. But you know what else I get? A lot of stuff that I don’t even remember purchasing! Good stuff. Stuff that I could really use.

So that’s what I’m doing. I’m spending my January creating pieces that I already have the materials for, and I have plenty—wreath forms, felt, fabric remnants, paint, furniture, wood scraps, card stock, notions, ribbon, dowels….the list goes on. And you know what else I have a lot of? Half started projects that I never got around to finishing! I have nine dowel lengths painted and ready to be made into fairy wands. I have at least twenty (and probably more) tea wallets already cut out and ready to iron and sew. I have a telephone bench that needs to be painted. I have a wire wreath form spray painted gold and waiting for some felt flowers. I have felt flowers that are all cut out and waiting to be put together. The list goes on and on.

And do I need to go to JoAnn’s in order to complete any of these pieces? No, I don’t.

Not only will I save time and money by not visiting these stores, but I will also be decluttering my work spaces by using up materials that I already have laying around! Just this past week I finished two pillows (the forms have been sitting there for at least 6 months) and several linen heart banners for Valentine’s day from leftover fabric from over a year ago:

heart bannerheart pillows

It’s already the 15th, and I’m feeling the withdrawals and trying to convince myself that the excuses I’m coming up with to head to the craft store are actually really good reasons for me to break my vows and buy a bunch of new stuff. So far, I’ve been able to resist, and I’m putting a lot of obstacles in my own way by making sure that I always have a project in my face that needs to be completed.

One side effect of this experiment that I didn’t anticipate was that my creativity has been engaged in a different way than it has been lately–by forcing myself to use only materials that I have, I’ve been seeing the items in my basement and garage in a whole new light, and seeing new ways to use materials without even having to browse Pinterest for inspiration. It’s been fabulous, and I can’t wait to share more of the pieces I’ve been creating lately!

Goal #2: Stock up my shop.

As I’m going through bins and boxes of materials and pieces that I’ve purchased for one project or another, I’m discovering some amazing things that I no longer need but are going to be great additions to my shop. As of writing this post, I have 113 listings in my shop, and I’m on a mission to get to 200 by the middle of February (that’s about 2.8 listings/day, which is more aggressive than I’ve ever been in the past. The number one thing that I’ve found that consistently drives people to my Etsy shop is consistent postings, so this is a really good goal for me, and one that I actually have time for right now!

Stocking my shop is always on my radar, but during slow times when I’m at least a month out from my new craft show I can really buckle down and focus on getting as much new inventory photographed and ready as possible.

Goal #3: Find new things to try.

This one is still developing. There are at least three new shows that I’m planning to apply to this quarter, and I’m also toying with the idea of renting some space inside a larger co-op type store. There are several places where I’ve thought about doing this in the past, but now there’s a new place opening in downtown Rochester, and that is almost too close not to make it worth it.

I’m still an avid Goal Digger podcast listener, and I’ve recently added The Purpose Show to my playlist, as my new podcast material. It’s a little more focused on motherhood than on small business and goals, but it’s a nice way to round myself out and make sure that I’m focusing on my family and not just on my business for the better part of the day.

I also want to add a few books to my reading list for this year that have to do with my business, and I’m hoping to start with Sheryl Sandberg’s Lean In. I haven’t come across any other business related books for the list yet, though I have TONS of fiction books that I’m hoping to get into this year.

I’m also shaking up my morning routine (I’m just now getting back into my routine of heading to Starbucks at 5 a.m. on non-preschool mornings) by adding morning pages to at least a couple of my mornings each week. I typically brain dump into my planner each week, but my planner is a bit tight on space, and my brain is a wild jungle full of scary gibberish which is a little overwhelming for those neat little lines and boxes. I’m hoping that doing a massive dump will help me to streamline so that I don’t overwhelm my poor little planner.


What are your goals for 2018, both personal and business related? Do they overlap at all? I’m hoping to get some of my fire back with a solid goal that will really affect our family’s life going forward into the next two years. When I started this business, that fire was there, and it fueled some major growth!

I’d love to hear from you about some of your strategies for a productive year, month, and week, too! Do you bullet journal? Use a planner? Do morning pages? How do you release all that extra “stuff” from your brain so that you can be free to concentrate fully on the most important tasks for your week?

Here’s hoping to a wonderful January and an even better 2018! Get your goals on, girl bosses!

Talk soon,

Jessie

Christina’s October Barn Wedding

I’m going to let everyone in on another secret. I love weddings! Everything about them. The food, the dancing, the getting to see friends and family, the celebration of love, the kids running around—and family weddings are my absolute favorite. Since I started dating Dan, it seems like we’ve been to a bazillion weddings (there are almost 30 first cousins), and every one of them has been perfect.

Christina’s wedding was especially perfect because I got to be along for most of the planning and preparation ride—she basically gave me her wish list, a small budget, and creative license to handle the entire venue set up. Her wedding board was full of ideas for the reception she planned at an awesome barn venue on the other side of the state, and from the minute I saw it I knew it would be a favorite fall project, and I couldn’t wait to get started.

July was wine bottle month—I had them soaking in my driveway, drying in the sun on my deck, scattered across the kitchen in various states of first coat, second coat, and wax, and then packed into bins to be taken back to Paw Paw intermittently throughout the summer.

IMG_3586IMG_3592IMG_3594IMG_3620

Christina’s colors were pink, white, and gray, and I did all the wine bottles (95 to be exact) in those colors using some Annie Sloan Old White and some leftover Wise Owl chalk paint I had in Petal and Gray Linen. It took two coats of paint to get the bottles fully covered. I probably didn’t have to wax them, but I wanted them to be as durable as possible, especially since we were transporting them back and forth across the state, so I figured the wax wouldn’t hurt, and it would have time to cure over the summer so that we could keep the paint chipping to a minimum (though Chrissy said she didn’t mind the shabby look).

After several thoughts about the base of the centerpiece, we decided to go with simple barn wood squares and slabs to tie in with the venue and keep everything unified (we debated using vintage mirrored trays, wood slices, and fabric squares, but the barn wood went best with the rest of the décor).

Once the wine bottles were well underway, I started to work on the guest book idea. Christina wanted an alternative to the traditional guest book in the form of an art piece that she could hang in her living room or master bedroom. Since her husband has two children, she didn’t want to leave them out by doing a piece that featured only her and Jabin, so she opted to have me do a piece that featured their family’s last initial. Again, I used ideas that she pinned to her board or sent me on Facebook (we had to communicate a lot that way since we are 2.5 hours apart!). A lot of the ideas we saw had a dark wood stain—I suggested going with a gray wash since that would work better with the color scheme of the wedding and the color palette in her house. I used a gray Minwax stain, a 28” x 28” piece of pine, and cutouts of the letter “Q” and hearts to get the design right before I started painting.

IMG_7934

IMG_4888IMG_4968

These are the little things I work on at night when I’m watching TV with Dan. It’s pretty bad…I almost can’t just sit on the couch without having something to do with my hands, unless it’s a brand new episode of Game of Thrones, or a crucial play in a Patriots game. Everything else we watch, I have to multitask during.

I took advantage of a sale and a 20% purchase coupon at Joann’s to buy a ton of wood slices for the table numbers, then painted them with chalkboard paint and drew all the numbers on them ahead of time, since I wanted to save as much time as I could ahead of the actual wedding day.

IMG_7919IMG_7918

Christina also needed a card box, so I transformed this radio shell that I’ve had sitting around my garage for about a million years (I’m really into hyperbole in this post, I guess). I’m going to do a whole post about this project, so I’ll just do a quick before and after photo for you here, and you can look for the detailed post later this month. This was a project that I’d had in my head for about as long as I’d had the radio–I just needed the perfect excuse to work on it!

IMG_7920IMG_8077

The rest of what I used was all things I had sitting around my garage—crates, barrels, chalkboard signs, an old ladder—basically, anything rustic and barn-y looking that I had I crammed into the back of my van the morning we set out for the hotel. I also brought along the elements that I needed for Beth’s baby shower as well, since that was happening that night (Friday). Another thing about having a big family is that there are always a bunch of things going on at once–I can’t remember a year where there hasn’t been at least one baby or one wedding, though there are usually both, and multiples of each, and so we often celebrate multiple occasions when we get together. Beth’s baby shower was an adorable woodland theme–I’ll have a post up about that event soon, too!

IMG_4970

Friday night after the shower we spent a few hours getting the flowers ready—boutonnieres for all of the groomsmen, baby’s breath bouquets for the girls, and roses and baby’s breath for Christina. We also made a little bouquet for their daughter, Taylor. I had fun doing the bouquets, but I won’t claim to be an expert, and I didn’t take any photos of the process, shockingly enough….the only other time I’ve done bouquets was for my sister’s wedding a few years ago, so I felt a little bit rusty. The last one was probably the most beautiful…I always feel like my first few tries are a bit of a train wreck.

We only had a few hours to prep at the barn, so I brought along as many aunts and cousins as I could find, and Christina sent a few friends to help as well. The venue, MillCreek Wilde was a little smaller than I had pictured, since I’d only seen it in the photos on their website, and as we were unloading, I was trying to mentally check off all the things that I’d brought and sort out what we needed and what we wouldn’t have room for.

**While you’re over on their website, because you know you clicked that link, can we just take a moment to gush over the bridal studio? When I walked in there before all the girls arrived, I was like, whoa. Amazing. I want that exact thing in my backyard. I would spend all my time in there. Give it to me now.

The biggest thing was prepping the tables, so we started there. Tablecloths were steamed, barn wood was set, wine bottles with baby’s breath were placed, and table numbers were assigned according to the seating chart.

Christina and her mom, Carol, did this really cool thing along one wall of the reception area where they had us hang all the wedding photos of all the family members that they could get their hands on—just the couples, and it was really sweet. With such a huge family, they had no problem covering the wall with the photos, and it was one of the biggest things that guests commented on—they’d never seen anyone do that before and it was a really special thing to see.

One of the biggest challenges of the day was the head table. I’d brought a bunch of mismatched linens with me, along with bunting and little cheese boxes and a cute DIY’ed Mr. and Mrs. banner, but, because of the weather, the ceremony was moved indoors, which meant that the reception area was also the ceremony area and the head table couldn’t be put together until AFTER the ceremony—about a half an hour before the dinner would be served (which also means that I didn’t get a good photo of the head table, so don’t be surprised when you don’t see it).

Luckily, the head table was made up of four or five rustic farmhouse style tables that were stained dark and whitewashed slightly, and they didn’t really need a lot of dressing up. After the ceremony, I threw the biggest lace tablecloth that I have (it used to belong to my grandmother) over the center of the table on a diagonal, pinned the banner across the front, and then scattered my rose and baby’s breath chees boxes along the front, using the bridesmaid’s bouquets to add a little more interest here and there.

We ended up having about a million extra wine bottles, so I used them everywhere I could—I stuck them in the bathroom, along the stage by the dance floor, by the windows, on the dessert tables—all the extra ones really helped tie the whole thing together. By far, I’d spent the most time getting all those bottles ready, so I was going to use them all!!

IMG_8063IMG_8065IMG_8066IMG_8068IMG_8070IMG_8073IMG_8080IMG_8062

Weddings are the best, don’t you agree?

Talk soon,

Jess

 

How to Deal When an Event Isn’t Going Well

Hey friends! Today I’m sharing a not so fun post in my craft show tips series, about how to deal when an event doesn’t go so well. These are always hard to go through, and maybe even harder to talk about, but hopefully we can all work through those hard events together and learn a little something from each other about how to deal.

I won’t propose to be an expert about how to deal when events don’t go as well as I’d hoped. I’ve have my fair share of days when the morning goes really slow and I just sit down in my chair, open a book, and call it a day at 11:45 a.m., when there are still three or four hours left in the event. My most vivid memory of that happening is at a Chippewa Valley spring fundraiser a few years ago—it was the first nice day of the summer, and no one in Michigan wanted to be doing anything inside that day (including me, actually).

But even though I’m not an expert, I will share the things that I try to do and keep in perspective when I’m at a slow show. It can be really frustrating to go into an event with really high hopes, just to discover that nothing is going to happen that day, or that weekend, or at least not happen the way that you hoped. I’m not going to pretend that doing any of these things will take that frustration away, because they won’t, but I at least try to practice these things and bring something positive out of what would otherwise be a “wasted” show.

invest in business

Plan and Reflect

Writing for this blog has helped me a lot, even over the past few months, with reflecting on how events went and how my expectations might have been out of line with reality. I’ve gotten into the habit of bringing a notebook with me and making little observations about shows throughout the day so that I don’t forget the little details of the show (again, mostly for the benefit of this blog), and I wish I’d been keeping that kind of a journal for longer.

Even though I’ve been experimenting a lot this year with different shows and branching out into doing events with new promoters, I have been trying to do a bit more research into the events that I’m signing up for, which is a lot different than how I used to do things. When I first started out, I was very susceptible to promoters who would walk into our booth at a show and say things like “I’m doing an event next month and I love your booth. You’d be a perfect fit! Do you want to join us?” It’s always nice to be wanted, and I did a lot of shows back then that were terrible, because I just went with that feeling and signed up basically on the spot.

Things are a lot different now than they even were four years ago, too—Facebook is a huge way that I do research for my shows, and the event page for a show is usually a pretty reliable way to gauge the projected traffic and figure out if an event is worth doing or not (of course, it’s not an exact science).

When I’m at a show, and it’s slow, I tend to have a lot of time to reflect, because I really resist pulling out my phone when I’m in the booth, other than to check the weather or make a quick Instagram post about the event. I like to disconnect for that time and just be alone with my thoughts, which can be hard, especially if I’m super frustrated. On the other hand, that “quiet” time has also been the source of some good ideas for the blog and for new projects that I want to start.

goals

Set Goals

I did this at the Saline show first thing. Communication had been rough, the show was misrepresented, and I was feeling like not much was going to happen for me that day, especially after I sold my first piece (the only chalk painted piece I had and the one that fit in best for that particular show).

So I set myself a goal—I wanted to make 10 sales that day. That might seem like a lot, but I was expecting to do even better than that when I first signed up for the show, so I was really lowering my expectations. Now, I think I know what you’re thinking—what good is setting a goal when traffic is slow and you have a bleak outlook about what you’re going to do that day?

If I hadn’t set that goal, I might have just sat down in my chair to stew and read and mentally check out of the whole deal. But having that goal forced me to stand in the middle of my booth, to greet the people that walked by, to talk to those who came in even more (I always ask if they are looking for anything in particular and if I can answer any questions), and to offer prices on things that people were eyeing or picking up so that they didn’t have to look at the tags.

The longer someone stays in your booth and the more you talk to them, the more likely they are to buy something. And if I was sitting down in my chair not greeting people or talking to them or drawing them into the booth, I wouldn’t have made half the sales I did. Having the goal of 10 sales really helped me to stay positive and keep my head in the game. And guess what? It worked. I actually exceeded my goal and made 11 sales (I might have beat it by even more if it hadn’t started raining at 2:30). Again, I don’t always make my goal (see the Shed 5 post), but it really helps me to stay motivated, positive, and on task during the event if I have a clear vision laid out for what I want to accomplish that day.

dream

Dream

I have to be really careful with this one because dreams often turn into thoughts like “when I have my store I won’t have to worry about [insert show-related concern—like rain, for example—here]…” It’s easy to think about what I won’t have to worry about and see that “obviously” things will be much easier *when* I have my store, but in that moment I’m not thinking about how difficult it will be to deal with increased overhead, employees, the stress of running a retail store, etc. etc.

But if I can avoid getting entrenched in that line of thought, dreaming about the future is probably my best defense against a slow show. I’m doing these events for multiple purposes, after all, and everything I’m doing, even at a slow show, is moving me towards that goal. Making money only seems like the most important part, but other really valuable things are happening, too—I’m expanding my client base, getting exposure, building my email list, and meeting new artists. All of these things fit into my dream in some way, shape, or form, and keeping that in perspective and being positive about the future really helps when things aren’t as positive as they could be in the present.

Talk to Customers

I mentioned this already in the setting goals paragraph, but it’s so important that I’ll mention it again. People will stay in your booth longer if you actually talk to them, and the longer they stay in your booth, the more likely they are to buy something from you.

It’s hard for me to always remember my prices for everything from show to show, so as I’m setting up, I try to look over the tags so that I can just offer prices as people are shopping. Sometimes tags get lost or ripped anyway, so it’s always good to offer so that the customers aren’t searching around looking for the tags on everything.

If they seem interested or comment about how they love the style of the pieces, I tell them about the paint I use and how much I love it. If it’s a newer piece, I tell them that it might feel a little tacky (especially if it’s a hot day) because the wax hasn’t cured yet, and I let them know that it will just take a little time for that particular texture to go away.

Sometimes they will tell me that they’ve tried a certain paint or technique, and I’ll ask them more about that—I’m always interested in learning more about other paints and products anyway, and I almost always ask them where their favorite place to bargain shop is—I’ve found several great new sources for furniture that way, which is always fun.

working

Work on Your Email List

I put my email list front and center in my booth, and if someone comes into the booth and has a positive reaction to my pieces, I always direct them to sign up. I send a newsletter once a month, so they don’t get totally spammed with useless emails, and I let them know where I’ll be in the coming weeks, what I’m working on, how to contact me, and any other news that I have.

I’ve talked about how important my email list is in a previous post, and I love Jenna Kutcher’s podcast episode on why this is such an important aspect of small business ownership—if you want a refresher on why email lists are so awesome, check out those two places for more info.


How do you deal when an event doesn’t go as planned? Like I said, I am nowhere near the point where I am able to keep it all in perspective, and I have those moments of utter fear and despair that I will ever have a good event again at times, but I’m always trying and learning and figuring it out fresh. Leave a note in the comments about how you deal with slow shows to let me know your tips and tricks!

Talk soon,

Jessie

6 Tips for Shopping Estate Sales

I love estate sales. I won’t go as far as to say that I’ve nearly been in an accident swerving in response to a little fluorescent sign on the side of the road, but I’ve been close. There. My secret is out. It probably isn’t much of a secret that a person who redoes furniture loves estate sales anyway.

Today I want to share my top tips for shopping estate sales. Even though I mostly shop for furniture, primitives, and antiques, I think these tips should be useful to anyone who is interested in finding great deals–in addition to items for my business, I’ve purchased so many things for my home and garden for so much less than retail–usually in perfect condition! So here are my tips if you’re just getting started:

1. Be Nice: I was at an Integrity estate sale in June where a guy was trying to get a bargain on one of those metal windmills that people put in their backyards. It was pretty big—probably 8 or 10 feet tall, and in pretty good condition. Integrity was asking $100 for it, which I thought was pretty reasonable. On top of that, the folks running the sale were saying “everything is negotiable today” to everyone who walked in. It was the afternoon of the middle day of the sale, when you’re likely to get things at 25%-30% off (the final day of the sale things are usually 50% off, and in the final hours of the sale you can really start asking for deep discounts).

I was out in the yard when the guy went over, looked at the windmill, and remarked to his friend that it was way overpriced, even at 50% off (which, by the way, no one had offered him). So he went back inside and I thought that was the end of it. My mom and I shopped around a little more—this sale was packed, so we made a pretty big stack of stuff—and then went to check out. As we were going through everything, one of the ladies with Integrity Estate Sales came back into the house looking frazzled, and announced that everything was now 50% off. We may have done a little arm pump in celebration.

The same lady was holding the door for us as we were making our multiple trips in and out and then followed us out to the driveway as we were loading things onto this vintage wagon we picked up:

IMG_6923

Isn’t it the most adorable thing you’ve ever seen? No? Well I don’t have any pictures of puppies or kittens, so just go with me.

Anyway, the door lady told us that she had wanted to give us 50% off all along (my mom had already stopped by and bought a bunch of stuff earlier in the day), but that she was waiting for grumpy windmill guy to leave, because he was being a jerk about the price and trying to get them to basically give it away. She waited on purpose for him to leave! I was a little surprised that she was sharing this with us, but I probably shouldn’t have been. It pays to be nice, friends. I’m not above haggling with people, but there’s an appropriate way to do it, which includes either walking away or paying their price if they say no. It’s their job to run these sales for their company and their customers, and being super rude just because it seems like the price won’t affect them isn’t going to get anyone what they want, least of all you. In fact, you’ll likely be sabotaging yourself, like this guy did.

2. Build Relationships: This takes being nice a step further. While my particular situation might not apply to everyone, I’m going to share it anyway. I go to a lot of estate sales. Like, four or five a week during the summer. I see a lot of the same people over and over. It has paid off to learn people’s names, remember certain epic sales, and even dig a little deeper into their lives. There’s a guy who works for Action Estate Sales that had a baby a little bit after I did, and he still remembers talking to me in line at a barn sale when Charlotte was so little that she was still in the baby Bjorn. I remember his son’s name and ask how he’s doing, and he gives me good deals, even on the earlier days when the same deals aren’t offered by a sign on the wall.

Putting this all out on paper (or the screen) like this might make it seem like I formed this relationship so that I could get something out of it, but the truth is that it actually just formed as I practiced being nice and asking genuine questions about this guy’s life instead of just badgering him for a lower price until he was practically paying me to take stuff. People are nicer to nice people, and you’re standing there waiting for them to make change anyway. It doesn’t hurt to be friendly and admit that yes, this is the 17th time you’ve seen them this summer. Making new friends is a good thing!

3. Ask for Deals: I know this makes some people uncomfortable, and honestly, it made me uncomfortable too at first! It really does take some practice to get the hang of asking for discounts at the appropriate time and in the appropriate way.

First, let’s address the appropriate time. Unless it’s a large piece and you know for sure that it’s at the top end of the spectrum when it comes to being reasonably priced, I would never ask for a discount on the first day of the sale. As a matter of fact, I rarely go to estate sales on the first day of the sale unless it’s something that I really want and I’m prepared to get there early, stand in line, pay the asking price, and muscle through the crowd to make a beeline to whatever it is I want. A lot of estate sales line up hours before the start time, and in the first couple of hours of the sale, they only let so many people in at a time. I like to avoid crowds (you’ll never see me out on Black Friday for example), so unless it’s something special, I generally wait until the end of the second day to go.

Now for the appropriate way to ask for discounts. I’m sure there are any number of ways that people go about politely asking for a discount at these things. I’ve certainly heard a lot of different approaches. The one that I use, and  that I feel the most comfortable with is:

“What’s your best price on the…”

Trust me, the folks who run these sales expect customers to ask for discounts. There is nothing rude about it (unless you’re rude). At the end of the day, the estate and the estate sale company are still going to make more money if they sell an item a little cheaper than if they don’t sell it at all. Generally, especially after the halfway point in the sale, people are going to come down on (even already discounted) items at least a little.

One last pro tip: I love going to sales that are packed with stuff—again, I go on the last day, select what I want and make a big pile near the cashier (these sales usually have a holding area for larger items, so you don’t have to try and carry everything around), and then we add it all up at the end, subtract the discount (usually at least 50% on the last day), and then I still almost always ask if they can take another $10-$20 off, which they usually do. Again, this kind of thing takes practice to get totally comfortable with. I started small figuring out my estate sale strategy, and now all these things are basically second nature.

I will say that I don’t always ask for discounts. With the companies I don’t mind, but when it’s a private sale and I know I’m already getting a really good deal on something (companies are a lot better about knowing the value of certain things than sales that are run by individuals or families), I don’t generally ask for a discount. I bought two amazing dressers at a private sale earlier this summer for $25 each—they probably would have been priced at $100 each, at least, at a company sale—and I didn’t ask for a discount on those. That was a living estate sale, where the ladies were downsizing their mother’s things so that she could move into an assisted living facility, and once I know something like that, I just don’t feel right asking for more money off of something that is already basically a steal. Again, you have to kind of feel it out and decide how you want to approach asking (or not asking) for a discount in some situations.

4. Look High/Look Low: Last month I snagged two things in a garage at an estate sale that had several people saying “where’d you find that? I would have bought it!” as I was walking to the car. That actually happens to me a lot. Have you ever heard the thing about how companies pay more for product placement in the grocery store to get their stuff on eye level shelves because the consumer scans those shelves way more often than looking down to the shelves below or up to those above, even if doing that extra scan might save them a couple of bucks?

Doing that extra scan at an estate sale will find you some awesome stuff. One of the first things I saw in that garage was a long, primitive hinged wood box on the floor at the very back. I think something may have been on top of it, but I don’t remember for sure. That box was the first thing that went in my pile. Another item that had people lamenting as I left was a chippy carpenter’s stool that was over in the corner of the garage, holding up a box fan that the estate sale company had set up to get some airflow going in the garage (it was a little musty in there). I think a lot of people just walked by and assumed that the stool wasn’t for sale, since it was being used in that way, but there was a price sticker on it, and I asked as soon as I saw it if I could move the fan and take the stool. I would show you a photo, but it sold in Saline, and I never got a good picture of it. 

I typically do two passes at the sales that I go to. The first one I grab anything that obviously has to come with me and stash it in my pile, making sure to look underneath tables, on top of cabinets and shelves, and behind and around any bigger pieces that might have treasures hiding in back of them. On the second pass, I tend to go more slowly, contemplating bigger pieces and examining the questionable ones closely. Waiting on some things until the second pass gives me time to really think about whether I can fix/sell that item, whether it really fits with my brand, and whether I’ll regret buying it in a few months.

5. Shop Strategically: I’ve already touched on this a little bit, but I’ll do a quick recap of my strategy. Depending on what you’re into and what kind of work you do, you’ll develop your own strategy as you go along doing this estate sale thing. Hopefully you’ll only have to develop a strategy for looking for one type of thing (say, furniture). I’m constantly looking for primitives, small vintage pieces for my Etsy shop, craft items, and solid, quality furniture to redo…it gets a little exhausting (but still fun!).

As I said before, I rarely go on the first day of a sale unless I see something in the pictures that I really want that will probably go fast. For example, I’ve been looking for a telephone bench to redo this summer—I almost always have at least one for Sterlingfest—but I haven’t found one anywhere! That is an item that might bring me to a sale on the first day as they seem to be really popular right now.

Typically, I like to find a packed sale and wait until the very end of the second day, when it’s likely that I can ask for last day discounts a little early, without dealing with the last day scavengers.

I use estatesales.net to find the sales that I want to go to—when I know I’ll be in town for any given weekend and I’m not doing a show (or sometime even if I am), I’ll go through the site on Monday or Tuesday that week and write down the sales that I’m interested in. I try to find at least two or three on the site (then, as I’m driving around, I look for private sales that may not have been listed online). I look for a mix of old and new in the photos, a little heavier on the old. If a sale is 80% or more new stuff, I usually won’t bother. It’s just not likely that anything I’d be really interested in will still be there at the end of the second or third day. On the other hand, if the sale is really heavy on older pieces, it’s unlikely that you’ll get the best deals there. Sure, the prices will be better than they would at an antique store, but not as good as at a typical sale. Again, those sales might tempt me if there’s something really cool (I went to one in May that had a letterpress cabinet that I really wanted but knew I wouldn’t buy because it would be too expensive—I did buy a few other things, though), but I go to them more to enjoy looking at the pieces than with a serious intent to buy (at least for now).

6. Avoid Impulse Buys/Examine Pieces Closely: Guys, there have been many times when I saw a piece from afar (or a few feet away—usually when my hands are full of other treasures) and fell in love with it, especially after seeing the price. Embarrassingly, this just happened to me the other day—I was walking out of the Utica Antiques Market, had my hands full, saw a Victorian corner chair for only $20!!!!  and bought it without even touching it. Once again, I’d show you a photo, but it’s already gone.

Sometimes this turns out fine, but often, the piece ends up having structural flaws, a smell, or some other issues. My Victorian chair was super wobbly on the top—it needed a lot of extra loving to get it to a piece that I could re-imagine. I bought it to redo and resell, but once I got it home, I discovered that it wouldn’t really be worth the trouble. If it was a piece I was doing for myself, it wouldn’t have been a big deal, but the time it would have taken me to really make it an awesome piece for my booth wouldn’t have been worth it, so I let it go as it was on Facebook, which made me a little sad. 

This whole story has a point, I promise. Examine the pieces that you buy! Sit on chairs, test the wobble factor, smell upholstery, open and close drawers—make sure that piece is solid before you invest in it, even it’s only $20.


Do you have any estate sale shopping tips to share? What is your best strategy for asking for deals? Which impulse buys have worked (and which haven’t)? Do you have any horror stories of rude customers making a scene while you’ve been shopping? Let me know in the comments below, email me at metrodetroitmaker@gmail.com, and connect with the community on Instagram using the #metrodetoitmaker!

Thanks for reading, friends. Talk soon,

Jessie

My Creative Entrepreneur Identity Crisis

I’ve already shared with you a very brief snapshot of my identity issues in my first post, but I really want to dive deeper into it today. The reason for this is partly because I think we all struggle with this to some extent as creative entrepreneurs, and partly because I think I might just need to get it out on paper (or screen) in order to deal with it completely.

Fun fact: I actually do a lot of writing by hand, especially my first drafts. A lot of these posts come from my own journal entries, or excerpts of them. Someone once told me that when you type words, you’re writing with your head; when you physically write them down, you’re writing with your heart.

I’m trying to avoid talking about this. Can you tell? I’ve basically been writing versions of this post in my journal for about the past four years, but I’ve been really resistant to even talk about it to anyone but Dan. So this is a bit of a leap for me–so much so that I even wrote this post in two parts, having given up on it back in June after I wrote the first part, and then coming back to it recently (but still a little while before I could bring myself to hit the “publish” button).

6/21/2017

I think, to some extent, I’ve always been creative. I did an exercise a little while ago that asked the question “How would most people describe you if they only had to use one word?” and I immediately wrote down “talented,” but “creative” would be a close second. I was really into art and music in high school. In college, I got into theater (incidentally, I still use a lot of the skills I learned building sets when I’m building my furniture). After Dan and I bought our house, I started to get creative with decorating it, since we were on a budget and trying to get out of debt. When people ask me to help with things like weddings or events at church, there’s almost always a creative element to what they are asking me to do, because that’s what I’m good at.

It feels hard to talk about this, though. I think so often, especially as women, we are conditioned to be humble and defer to others and say things like “oh, anyone can do that.” It’s hard for us to take pride in the things that we are good at without feeling like we are hardcore bragging on ourselves. So many times I’ve given a variation of “anyone could do that” in response to people telling me I’m talented, when the reality, when it comes to my particular vision for the furniture that I recreate, is this: someone else could do something like it, but no one could do exactly “it” because I found the piece, saw its potential, and carried out my design (sometimes through several revisions).

I think realizing that is so important to realizing your value as a creative entrepreneur and realizing that the things you as an individual have to offer to the market and to the creative community have value as well. Girl bosses, #metrodetroitmakers, no one else can do exactly what you do!

Here’s the other part of my identity crisis. As silly as it sounds (or maybe it doesn’t sound all that silly to you–if you’re reading this, maybe you feel the same way), being a creative entrepreneur doesn’t feel serious to me, especially when you compare that to being a college professor. Or a doctor, medical engineer, EMT, nurse, attorney, or executive, which I happen to be surrounded by in both my family and my husband’s family. I feel like an underachiever extraordinaire when I hang out with these people and hear about travels to Russia and Africa, emergency C-sections, rubbing elbows with Dick Cheney, or saving someone’s life with CPR and a plastic pen.

Often, I feel like a hobbyist rather than a businesswoman, especially because all I have is an online shop, an occasional weekend outdoor booth, and a garage full of broken furniture that hardly anyone sees as having any value (that is, until I finish a piece).


Note: The above all pretty much came out without a lot of self-editing–drawn from journal entries and emotions and comments that have built up over the past few years. The problem is, once I had it down, I was like “No one will ever want to read this.” So I put it away for a bit. Then early in July I came back to it.

journaling

photo credit: Pexels

7/9/2017

None of these issues are helped at all by well-meaning comments and questions like “how’s your little business going?” or “that furniture painting thing; are you still doing that?” My business isn’t little—many months I bring in as much or more than Dan does with his “serious” finance career—but it feels little when compared with something that is easily recognized and firmly established, like a medical or law practice. Those comments and questions are part of the reason why I’ve gotten in my own way when it comes to my business, and part of the reason why I’ve held on so long to this idea of a career as a college professor when, in reality, that is looking less and less like my best option for fulfilling my career and life goals.  

Luckily, Dan is my biggest supporter, and he’s constantly telling me how much he values everything I’m doing to try and make this business work. I don’t think I’d be pursuing this seriously at all if he weren’t on board with the idea. He’s always told me that he wants to work at his job and provide everything we need so that I can do what I’m most passionate about, whether that’s teaching, running my business, or raising our family. The hardest part for me has been figuring out exactly what I want to pursue—again, partly because of my own identity issues.

As a Christian, it’s super hard not to get wrapped up in defining myself by what I do, or how much I make, or whether or not I have a white slipcover sofa like all the other home décor bloggers out there do (or at least, seem to). The thing is, when I’m in my garage, painting and listening to worship music or podcasts, or when I’m out with Charlotte, exploring the park or playing at the library, or even when I’m in front of a computer screen blogging or invoicing or lesson planning, it’s not that hard to rest in my identity in Christ. I belong to Him first and foremost, and the most important part of my identity is that I am His child.

But that’s hard to talk about (for me, anyway). It would be weird as a response to the question “what do you do?” And when I’m in my booth during the summer, or in front of the classroom in the fall and winter, or sitting around the dinner table with family, it’s the last thing on my mind. I’m trying to navigate and respond to whichever identity is uppermost in my mind at that moment, whether it’s business owner, professor, wife, or mother.

It’s really easy for me (and I think for all of us creative entrepreneurs) to think that things will be better when I make X amount of money from my creative business, or when I have X amount of followers on social media, or when I have my physical store, or…or…or…

But I’ve met goals before. Goals on Etsy, goals for inventory, goals for the number of shows I’d do in a given year. I’ve exceeded plenty of goals, too—goals for the year, goals for a particular show, goals for income in a set period of time…and exactly none of those times was my overall happiness or sense of identity in the least affected. At the end of the day, they were just numbers, or dates, or pieces finished. They were just arbitrary things. I still fall into the trap of thinking that the next goal achieved will be different, somehow, but getting all of this out on paper helps me to keep that feeling in check.

So where does that leave me in my struggle with my identity as a wife and mama, girl boss, and part-time English professor? I’m not sure. I guess my best answer is: I’m working on it. It’s funny, because in almost every other area of my life, I actually feel ok. I’m a natural introvert, and I’ve always struggled with that part of my personality—I just work better in small groups or one-on-one, and I feel a bit awkward interacting with large groups of people (unless I’m in charge, like in front of a classroom—then I’m in my element, for some reason). I’ve struggled with my body image too, and I always feel like people are judging me for being super unhealthy or unattractive. I’ve spent a lot of time worrying about what people think of my personal style, or the way that I parent, or the things that I believe.

I think all that has really started to change over the past couple of months. Suddenly, I’m not really thinking about everyone else so much. I’m oddly focused on what’s best for our family, what’s best for my business, and what’s best for me. What other people think seems so much more insignificant to me now than it ever has. It’s not that I don’t care at all about other people—I do. I just don’t care what they think.

Maybe that means that resolving my identity crisis when it comes to what I should “be” or “do” is right around the corner. Fingers crossed!

 

Do you struggle with the same things I do? How does your family respond to your small business, dreams, or goals? What do you see as your primary identity, and how did you get to that point? Tell me about it in the comments below—I’d love to get some more perspective on this!! As always, feel free to email me at metrodetroitmaker@gmail.com, or follow me on Instagram and use the #metrodetroitmaker to connect with the community.

Talk soon,

Jessie

4 Things That Are Upping My Girl Boss Game This Summer

Being a girl boss is hard work, ladies—especially when you add being a wife, mama, girlfriend, dog mom, homeowner, personal chef, and all of the other things that we ladies are constantly juggling. Hard as it is at times, certain habits and rhythms can seriously help make things a little easier.

Today I’m sharing some things that are really working for me this summer in an effort to encourage you to develop your own rhythms as we figure out this girl boss stuff together. Thanks for joining me this morning! Here’s what’s working for me right now:

Getting up Early

This is the single biggest thing that has been helping me this summer. I’ve been getting up around 5 a.m. every morning and heading to Starbucks to work for two hours before Dan leaves for work around 8. It’s been immensely helpful. I’ve been using this time to schedule social media posts, write for my blog, work on content for my Etsy listings, answer emails, and plan my days/weeks.

While I don’t come to Starbucks every single day for this, I like leaving the house in the morning as often as I can, because I don’t get distracted sitting here in a coffee shop—there’s no laundry, no dirty dishes, and no half-finished project sitting right there. It’s much easier to focus on completing these tasks if I can sit down and power through them for two hours every morning. In addition to those distractions, Charlotte is an early riser like her mama, and even though Dan is home, she will inevitably yell for me to help her with something every ten minutes or so, which is even worse than that chair sitting there. With a three year old around, I definitely get more work done when I can be away for a bit.

distractions

Please tell me that some of your kitchens look like this, too. It will make me feel so much better!!

When I leave Starbucks to head home, I can feel good about taking the morning “off” to hang out with Charlotte, get some housework done, and get back to work later during her nap. I usually use my early Monday mornings to plan the week and make a list of the big projects I need to complete (I also browse upcoming estate and garage sales that I might want to check out and make a note of those). Every morning before I leave to go home, I plan out my nap time priorities for the day, as well as any tasks that I want to complete that night after dinner. Especially during the hectic parts of the craft show season, I usually work for at least two hours after dinner, when Dan is around to spend time with Charlotte.

I’ll confess, I’m a morning person, and the thought of getting up at 5 a.m. to start the day being productive is sickeningly exciting to me. I’ll also confess that Charlotte has a hard time falling asleep during the day without me staying in bed with her, so I almost always take a short nap at the beginning of her nap, and I get to recoup a bit of my energy then.

Setting Goals

I kind of started doing this by accident early this summer—I think it might have come about as a result of something that I listened to on the Goal Digger podcast, but I know I was also driven and working out some frustrations in some other areas of my life when I decided to set a goal for how much inventory I would have ready for the Royal Oak Vintage Artisan Market at the beginning of June 2017. I had never set a similar goal before, so I tried it. I told myself I would have at least $1000 of inventory ready for the show (then managed to exceed my goal by quite a bit), and lo and behold, we made nearly $1000. It was crazy. I got fired up about it, and I saw really amazing results happen every time as I started to set new goals (big and small) throughout the rest of the summer.

I have this chalkboard out in the garage where I keep track of my inventory progress before a big show:

goal chalkboard

This was my progress tracker as I was prepping for the Royal Oak Vintage Artisan Market.

One small goal I set for myself at the Saline show was to make 10 sales. Again, I had never done this before, but it really kept me motivated to talk to customers and try to engage with their needs during a show when I might have been a little more withdrawn and down because it wasn’t what I was expecting. For a show like Sterlingfest, I set number goals for my email list as well as sales goals for each day.

It’s probably a psychological thing, but I feel a lot more accomplished when I meet a goal I set, even when it’s a modest one, than I do when everything just goes really well but I didn’t necessarily have a goal I was working towards.

I try to set goals for myself when it comes to screen time, too—when I set a goal not to look at my phone until 3 p.m., for example (after answering all my emails and scheduling all my posts in the morning, of course), I find that I’m so much more productive throughout the day than I would be if I were looking at my phone for 5-10 minutes every hour.

Journaling

This one is tied to both setting goals and to getting up early—my work journal gives me a place to record most of these goals and to jot down notes about what went wrong and what went right along the way. I use this journal for my work notes:

make it happen journal

I’d really like to invest in the Make it Workbook, but I should probably finish this journal first—I have a slight journal obsession, probably as a result of being an English professor and avid writer, and the number of mostly empty notebooks and journals I have lying around is frankly embarrassing.

Anyway, back to journaling. My journaling is definitely linked to getting up early, too—before I was doing this getting up early thing, I never felt like I had time to journal because I had to get all of this other stuff out of the way and work on projects during naptime.

Another confession: I’ve always been a journaler, so getting back into this habit wasn’t hard for me. I love looking back at where I’ve been and seeing how far I’ve come. I have a few other markers now that I’ve been doing this for about four years, but my journal is always the most tangible for me. I used to journal every day in high school and college, and I’ve missed it a lot as a (relatively) new mama. Most days, my work journal is just notes for projects, to-do lists, productivity and time tracking, and notes for Etsy listings, but I try to get my morning pages done while I’m away in the morning, too.

work journal

Side note: Starbucks just started playing Where My Girls At? and I legit started dancing in my seat. Welcome back feels from 1999. I’ve missed you.

Events

Honestly, because of the goals I’ve been setting and the amount of inventory I’ve been producing, even my so-so events have been successful this summer. A slow event gives me time to plan and think and be creative when it comes to selling and forming customer relationships, and the great events give me the resources to save for my shop, pay for future events, and build my email list.

email list example

Speaking of email lists, my email list is probably the thing that I’m most proud of this summer, and it’s another idea that I got from the Goal Digger podcast. I’ve always passed out business cards at my events, but I’ve never asked people for their email addresses, which seems crazy to me now. I’ve also started using MailChimp to send out a monthly newsletter to my email list, which helps keep me in front of the customers that I connected most strongly with at my shows. It feels really good to slowly build that list every month and know that I have contact information for a growing number of people that liked my work so much they gave me their information so that we could stay in touch. I’m kicking myself for not doing this sooner, but at least I started now. With at least a year to go before there’s a possibility of realizing my goal for a physical store, I have plenty of time to build a following and get potential customers interested and engaged with what I’m doing on a regular basis.


While these things are going really well this summer, there are still a few things that I’m spending a lot of time on that aren’t going so great—things like time management, social media, and inventory organization. Maybe a post on these things and how I’m trying to work on them is in my future.

What do you struggle with most as a creative girl boss? What’s working for you this summer? Let me know in the comments below. I’d love to hear from you!

Talk soon,

Jessie

Craft Show Review: Sterlingfest

Guys, I love Sterlingfest. This is the biggest show that we do every year, and it’s always really fun, even when it’s super hot out (thankfully, it wasn’t too bad this year). Sterlingfest is Sterling Heights’ big summer event, and it’s held the last weekend in July. We’ve been doing this show since 2014, and as long as we’re doing shows (and they accept our application), we’ll do this one. The traffic is great, there’s good food and good entertainment, and it’s organized really well. It’s far and away my favorite show to do.

Sterlingfest is also held at the Sterling Heights city hall, which is right around the corner from my mom’s house and only about 15 minutes from where I live in Rochester Hills, which makes it super convenient for us. It also happens to be sentimental for me for a couple of reasons—it’s right by the library where I grew up checking out armfuls of books every week, and it’s also the same property where the historic Upton house is located, which is where Dan and I took our wedding photos. I get all the feels when I come back to this area, and it’s super awesome to be able to bring Charlotte here now that she’s old enough to really enjoy the food and the fun.

All month long, I’ll be breaking down the shows in a similar way, discussing cost, location, advertising, crowds, and vendor perks as we move through the reviews of the shows I did in late July/August. I’m stoked to let you know how these shows went, and I’m hoping that the information is helpful to you as you plan for events in the coming year. As always, if you were at this show and would like to leave a comment or question, please feel free to do so in the comments below.

Sterlingfest Booth

Price: At $230 for a 10’ x 10’ space, this is definitely the most expensive show that we have done thus far. I’m not going to sugarcoat it—that’s a lot of money, and it’s a huge consideration when you’re just starting out. It is a three day event, so if you divide it up, it’s about $75/day. That’s a little bit better—I regularly go to shows that are $100 for one day, so I try to think about it like that. I’d be more nervous about signing up for Sterlingfest if I knew I had to make back my booth with a lot of little pieces, but because I have large pieces of décor and furniture, I’m not usually too worried about making my booth and then making a profit.

Location: Just because I have a sentimental attachment to the location doesn’t mean that it’s not a great spot. The show is situated up and down the front of the city buildings, and then along part of the west side of the buildings as well. The tents in front of the buildings set up on the pavement, but we’ve always been on the grassy strip between the police station and Utica road. The application gives you space for any special requests, and in that space I always ask to be put on the grass, since it’s usually a bit cooler, and we have easy access to our booth just by pulling out onto Utica road, which makes it really easy for us to offer delivery all three days. It does seem like the traffic in the front of the buildings is always a bit heavier—I’m not sure that people come down the grassy area quite as much. This year, there were a lot fewer tents over on the grass, apparently because the organizers accepted a lot fewer applications than they usually do. This is actually a good thing, in my opinion—I like the fact that they are serious about keeping the quality of the show high.

Right behind the grassy spaces, across Utica road, is Dodge Park, where the food vendors and carnival area is always set up. There’s enough space between these two areas that the sound from the games doesn’t carry so much that you can’t have a decent conversation with your customers, and the real music doesn’t start until after the craft show portion is mostly closed (hours are from 10 a.m. to 8 p.m. every day). If you’re up closer to the corner of Dodge park and Utica road, which we were this year, since there were fewer spaces on the grass, it can be a little louder even during the day, since the smaller stage is set up right across from the tents up there.

Advertising: Sterlingfest is a big deal in Sterling Heights, and beginning in July, you start to see signs for it everywhere. It’s so well established that there would be huge crowds even without the signs—since it’s a city event, it’s also advertised in the newsletter, city paper, neighborhoods, library, parks, and local businesses. Over the three days, it feels like almost everybody in the city comes and brings their kids, friends, and families from all over. It’s a very popular event.

IMG_3819

Crowds: Like I said, tons of people come. Not all of them are shoppers—like with the Auburn Hills show, there’s a lot for kids to do, there’s a beer tent, and there is entertainment throughout the day, so the craft show portion is not the only thing going on.

Thursday and Friday are always a lot slower, especially before 5 p.m., as you can imagine, with a lot of people still working the last two days of the week. That being said, we can usually still make our booth fee on Thursday night, even with the slower weekday crowd.

One of the best things about doing a show consistently for several years in a row is that you see a lot of the same customers over and over, and it’s amazing for me to hear that my customers are still loving the pieces that they purchased from me. I sold Alyson and Matt a china hutch in 2016 that they used as the centerpiece for their nursery—it was the first piece they bought after finding out that they were pregnant (with twins!!), and she was only a few weeks along when I met them last year.

Later, they ordered two custom dressers for me, and I saw them again that fall when I delivered them. It was so fun to see their twin baby girls this summer after doing those special pieces for them last year. I also caught up with Maria, who ordered a custom painted rocking chair last year, along with several others who purchased smaller things and came back to tell me how much they looked forward to seeing what we had each year and how much they loved our booth. I even customers who had bought pieces from me at other shows, and recognized the style and some of the designs, which just goes to show that this is a huge show that makes it onto a lot of people’s radar, even outside Sterling Heights.

Vendor Perks: The only downside to this show is that there isn’t much in the way of vendor amenities. During the day, the library is open and there’s an indoor bathroom available, but for the evening hours you’re stuck with the Porta-Johns.

There’s no food or water available for the vendors, either—you have to bring everything that you think you’ll need. We always bring a big cooler full of water and snacks. There are a lot of great food vendors open all day—somehow we always end up across from the toasted almond tent and have to buy about a hundred bags of them, they’re so good. The Sterlingfest organizers also host a breakfast with coffee and pastries on Thursday morning, but I’ve always been too busy with set up and last minute prepping to be able to go.

The staff is always around when you need them, and they send volunteers by regularly to see if anyone needs anything. This year, they even provided two cell phone numbers that you could call if you needed a quick break, which was really nice. Like in Auburn Hills, there is security overnight and all throughout the day, and it’s not unusual to see officers walk by the tent at least once an hour.

Because we have some extra space over on the grass, we asked if we could set up an EZ-Up behind our tent for some extra shade, and they were totally fine with it, which was great. It’s the first year that we did the extra little tent, and it really helped out to have the extra shade and space to hold furniture that people had purchased. I don’t know why, but having a sold pile back there always makes me so happy. There was some concern that it would rain on Thursday (thank goodness that didn’t end up happening), so it was also nice to have a little extra piece of mind that we could put things back there if we needed to. It’s also so fun, now that Charlotte is old enough to do the rides and games, to have a little hangout space for her to come back to and have a snack and a drink with Dan before they head back to the carnival rides.

It can be hard to get a read on Sterlingfest from the point of view of the other vendors. There really isn’t another booth like ours at all—there were a few selling signs and one really great booth selling reclaimed wood art. Check out Ironwood Fab when you get a chance—I usually don’t buy a lot at craft shows, but I bought two wall sconces from them for my bathroom in the Bellaire house.

We’ve had years where people get so frustrated with the traffic on Thursday that they pack up and leave that night, or, what’s worse, they wait through Friday and then leave right before the crowds start to get really good on Saturday. The jewelry category is always saturated, and there are a few soap/lotion booths, but other than that it seems to be a good variety—some clothing, kid’s items, fine art, and sculpture round out the show really well and make it worth it for the people who come to shop. I don’t think anyone left this year, but that could also be because it was the nicest July weather we’ve had in a while—on Friday night we were wearing jeans in the booth, it was so breezy and cloudy.

To sum up, I can’t see a scenario where we wouldn’t do this show. It’s close to us, the crowds are good, and, even though the price for a booth is obviously higher than we pay anywhere else, we usually make back our booth fee the first night, and always have a great day on Saturday when the crowds are the biggest.

Please leave a comment below if you’ve been to this show and have anything to add from the perspective of another type of vendor. If you’d like to submit a review of a show you’ve done, a Meet Your Maker interview, or a DIY post, please email me at metrodetroitmaker@gmail.com and we’ll make that happen!

Thanks for reading.

Talk soon,

Jessie